THE DARK SIDE
OF PLAGIARISM

current count: 235 confirmed thefts
total wordage: over a hundred thousand words--and counting!

Return to Home Page

SAMPLE PAGES

Top--the original page; below it, the same page with the stolen text "limed-out"

1st Set - THE DARK SIDE # 114 (April/May 2005)

 

 

 

2nd Set

 


 

A CLOSER LOOK - THE DARK SIDE # 72 (April/May 1998)

Contrary to previous statements from Allan Bryce, the theft of text at THE DARK SIDE has not been "recent"--as proven by this example from issue number 72, dated early 1998.  Allan Bryce gave himself the byline for this laser disc review column, Laser Library. Besides the SPAWN use, reviews of CANNIBAL FEROX and the FASTER PUSSYCAT! KILL ... KILL/MOTOR PSYCHO set were also taken from Douglas Pratt's LASER DISC NEWSLETTER. Don't forget, there are over 200 more examples like this running through the pages of THE DARK SIDE and DVD WORLD, some very lengthy, and more discoveries are on the way!

 


Allan Bryce takes full credit for writing the Laser Review Column in THE DARK SIDE

 

Below is Allan Bryce's review of SPAWN.  The column at the right is the original review written by Douglas Pratt for his respected LASER DISC NEWSLETTER. This use by Bryce was unauthorized.

 

 

Douglas Pratt's Laser Disc Review of SPAWN.  Originally published in his LASER DISC NEWSLETTER and archived online at his DVD Laser site.

If you saw Spawn in the theater, you didn't see Spawn. There are over 200 changes in footage and dialog between the PG-13 theatrical release and the R-rated New Line Home Video Image Entertainment Director's Cut (ID4090LI, $30). The movie runs 98 minutes and is not overly violent--all things considered--but it isn't the wimpy kit glove version, either, and John Leguizamo's dialog is a lot more creatively distasteful. The film, an adaptation of the comic book and HBO animated series about an assassin who returns from Hell to fight evil (don't ask, it all makes sense--maybe not the first time, but after you've been exposed to the material for a while), is loaded with nifty computer animation effects and a properly existential attitude. The editing is also creative, with imaginative wipes and other cute transitions. Michael Jai White stars, with Martin Sheen and Leguizamo as the villains. The picture transfer looks fine. The film was shot on a very tight budget, but a budget large enough to allow for decent effect sequences. Here and there a bit of grain pops up, but for the most part the image looks slick and colors are accurate. The presentation is letterboxed with an aspect ratio of about 1.85:1. The surround sound is suitably aggressive with some great directional effects and a strong bass, and the Dolby Digital track is even better, with better defined directional effects and a greater general flourish. The film is adequately closed captioned and is accompanied by a theatrical trailer. On the other analog track, creator Todd McFarlane, director Mark Dippé, producer Clint Goldman and visual effects supervisor Steve "Spaz" Williams (the hero's dog in the movie is also named 'Spaz') provide an amusing and informative group commentary. Dippé and Williams get off to a great start by telling a funny story about how they used to work at ILM until one night they were goofing off and snuck into George Lucas' office, only to get caught by security guards and summarily fired. They talk about the daunting task of bringing the effects-heavy film in on budget and the compromises they felt they made to achieve that goal. They mix technical explanations on how certain effects were achieved with explanations about what the hell (hey, we're being literal here) the movie is about, details and editorial comments about the changes made to reach the PG-13 marketing goal and anecdotes about the shoot, including some choice (and favorable) descriptions of Sheen and Nicol Williamson. Oh, and yes, Leguizamo did indeed eat worms in one scene, much to the consternation of the animal protection person covering the set.

--Douglas Pratt

 

 

 

A CLOSER LOOK - DVD WORLD # 26

DVD WORLD is the other Allan Bryce edited publication that's used many reviews from online sources, verbatim and unauthorized.  Here is an uncredited review of THE MYSTERIANS and, to the right, the original review as written by George Reis at this DVD Drive-In website. As you will see, the DVD WORLD review abridged George's review.

 

George R. Reis' original review from DVD Drive-In, with kind permission from George R. Reis:

After the success of GODZILLA and RODAN, Toho producer Tomoyuki Tanaka reassembled the talented team of director Ishiro Honda, special effects man Eiji Tsuburaya, composer Akira Ifukube, along with various cast members from both movies for another project. As before, the new film would have a science-fiction premise, touch upon the dangers of the atom bomb, and feature numerous opportunities to depict sequences of mass destruction. But THE MYSTERIANS would utilize alien invaders rather than the usual giant monster as its main focus of mass terror, and it’s the first Japanese film to do so.

During a festival, a Japanese town is totally destroyed by radioactive flames, and the military are called in to investigate. They soon come face to face with a bulky, beaked giant robot that squashes everything in site, knocking down buildings and incinerating cars with its deadly eye-beams. Though the robot (known as Mogera) is resistant to blow-torch fire, it is easily defeated when a bridge on which it is standing is detonated. We then discover that Mogera was from the planet Mysteriod, and the inhabitants of that planet have set up base here on Earth in a dome that submerges from the ground. The Mysterians are seemingly civil aliens who sport color-coordinated helmets and capes, claiming to have come in peace. Calling a group of Earth scientists into their dome for a private meeting, they request a piece of land, as well as wanting to obtain a group of Earth women for breeding purposes. The request causes outrage, enough for Earth to declare war against the Mysterians. World officials spend a lot of time in meetings, deciding what weapons to use against the alien invaders, and with the Mysterians' advanced technology, matching them is no easy challenge!

THE MYSTERIANS was the first Japanese science fiction film shot in Scope (2.35:1) and it takes full advantage of the then-innovative anamorphic widescreen process. The alien invasion themes seem to be somewhat inspired here by Hollywood films like WAR OF THE WORLDS, but Toho really proved they knew how to construct this sort of film. It’s fast paced, almost like a pulp comic book coming to life, and the special effects (with the expected visible flaws) represent some of the best of its type, especially considering this was shot almost 50 years ago. Flying saucers, zeppelin-like air vehicles, ray gun blasts, mass floods, and violent explosions are all well depicted with the help of convincing miniatures and matte shots. The alien suits are pretty slick and ahead of their time, and the clunky metallic Mogera was thrown in as an afterthought, but is a real treat for giant monster fanatics. The capable cast includes a lot of actors from the original GODZILLA and RODAN, including Yumi Shirakawa, Kenji Sahara, Momoko Kochi, Akihiko Hirata, and Takashi Shimura.

THE MYSTERIANS is the first in a series of non-Godzilla Toho titles that Media Blasters has gotten the DVD rights to, and the resulting product is marvelous. Any U.S. viewer used to faded and cropped VHS and TV transfers will be very pleased. Presented it its original 2.35:1 Tohoscope aspect ratio with anamorphic enhancement, the original Eastman colors look pleasing, if not overly dazzling. The print source is in impeccable shape, and only shows blemishes when optical effects are employed. The original Japanese language track is playable in mono or stereo (with optional English subtitles), and there’s a new English track in 5.1 stereo. The newly dubbed track will disappoint those used to the original American version, but it’s actually respectably done, except for a few unfitting voices. A mono Spanish track is also included, as is a track where Akira Ifukube’s stirring score can be isolated. Also not that this DVD edition is the full uncut Japanese version with several extra minutes of footage not in the U.S. cut, including the brief appearance of a second Mogera during the climax. All the credits are in Japanese as well.

Extras include a Japanese language commentary with Toho effects directors Koichi Kawakita and Shinji Higuchi, who started their careers in 1962 and 1984 respectively. There is a commentator on hand, and English subtitles accompany it. Both men share a lot of knowledge about Toho, as well as their craft, revealing a few effects secrets, and they both obviously have a lot of respect and admiration for THE MYSTERIANS. Also included are three different photo galleries, including black and white stills, costume and set designs and storyboards. There is also the original Japanese trailer, original trailers for the upcoming DVDs of MATANGO, VARAN and DOGORA, as well as GAPPA and ONE MISSED CALL.

-- George R. Reis

 

Return to Home Page